Friday, 10 June 2016

Kintsugi - Healing the Broken

…the usage of sprinkled gold powder is specifically denoted in Japanese as kintsugi (“to patch with gold”) or kintsukuroi (“to repair with gold”). Additionally, these words are also used to refer to lacquer restored with silver powder, so in this context it would be more appropriate to use the phrases “to patch with metal” or “to repair with metal”.
This is the third time this word has crossed my path. The first time was at an Art Journalling workshop I attended for sometime. I found it very hard to conceive that brokenness can be made beautiful - especially mine.  
The second time was last year when I went down to TLC campus for a week-long Life Casting Workshop with Mel Ford. She is a ceramic artist who takes the broken (pottery) and makes it into something new. Still sitting with the "I'm not sure how this works for me" thinking...and then the third time was today. 
Today, talking with my new TLC mentor - Andrew. He made a reference to it and it got me thinking about its signifigance.   Kintsugi: The Art of Embracing Damage  This YouTube clip explains the practice well and I found it really interesting.
Another website explains it like this....While the general Western consensus on broken objects is that they have lost their value, practitioners and admirers of kintsugi believe that never-ending consumerism is not a spiritually rewarding experience. The kintsugi method conveys a philosophy not of replacement, but of awe, reverence, and restoration. The gold-filled cracks of a once-broken item are a testament to its history. Shimode points out that “The importance in kintsugi is not the physical appearance, it is… the beauty and the importance [that] stays in the one who is looking at the dish.”
What an interesting concept...one I'm still digesting.
~o0o~

Monday, 6 June 2016

Art n Tartan: working on my design

Since the beginning of the month I've been 
busy working on my Art 'n Tartan design.
 Shopping for supplies....
 
..and cutting out the tartan material.
My drawing of my concept and design!
My pots of fibres were all cooked, rinsed and ready to pulp
..which I do using an old secondhand insinkerator.
I made a new long mold and deckle...
 and was so happy to wake on Tuesday to clear sunny skies...
Measuring netting for the tree "skirt"..and my concrete
stepping stepping came in handy for weighting the edges.
The trampoline is the perfect support.
I scored a plastic front for $8 so I didn't
 need to embarrass my niece by casting 
the front of her torso!
 .I "made do" with what I had to create the desired shape.
..and got the bath ready with paper pulp (using warm
water I should add, as it was pretty chilly first thing!)
 It wasn't easy lifting out the deckle though and
 my back was pretty sore by the end of the day!
 I'm really happy with being able to make the
 longlengths of paper though. It made covering
 the torsos and skirts so much easier...
A fallen branch of Kauri leaves, from my neighbour..
 Flax, ginger and calla lily from the garden starts the
next batch of fibres for pulping/preparing more paper.
I've been at work (The Bach Art Gallery and Shop) 
over the Long Weekend but the paper is still drying
and can't do much until I make more paper.
Next on the list of things to do is adding wire
to shape the branches and root of my tree.

Time: 30 hours (31st May - 4th June)